V&A Museum Collections

From series Signs of A Struggle A black and white photograph of a parked car at night. One of the front doors is open, the front seat is covered with foil and there are large dark stains on the ground in front of the car. The print is mounted onto a slightly yellowed cardboard.image

Read More
ArtMastered Review.  “The nature of Strand’s new work - thorough, repetitive, slightly obsessive in a good way - feels like stepping inside the artist’s mind in her search for fresh experimentation”

ArtMastered Review.  “The nature of Strand’s new work - thorough, repetitive, slightly obsessive in a good way - feels like stepping inside the artist’s mind in her search for fresh experimentation”

Read More

10 Least Most Wanted....

previews at Centre Pomipdou as part of A History of Art, Architecture, Design from the 1980’s until Today. Curated by Christiane Macel. Pictured here with Clement Cheroux senior curator of photography, Centre Pompidou.
image

Read More

Getting Better and Worse at the Same Time show, Grimaldi Gavin/London 29th April- 6th June

To think about the demise of a work before it is made is an uneasy point to start from.To acknowledge and knowingly invite entropy into a process, in times when an artworks value is partly defined by its longevity, could be considered foolish or errant. Getting Better and Worse at the Same Time is a show that is designed to grapple with these ideas, in both a personal and philosophical way. The exhibition considers this complex proposition; can works continue to degrade yet still retain their value, their aesthetic and maintain a sense of reason. The works in the show are moving, rubbing, scrapping and most importantly changing - changing in ways that can’t be mathematically defined or logically anticipated. They are works making themselves.Clare Strand 2015.  

Read More

5 minutes with Di Smyth and Clare Strand

“The show is very much grounded in Surrealist themes – specifically with movement, machinery, dust, frottage, sex and chance”

Read More
“But Clare Strand is not like other photographers, and there is one thing that marks her out as one of the UK’s most exciting practitioners in photography today – she is an illusionist” Review by Barry W Hughes for SMBH 

“But Clare Strand is not like other photographers, and there is one thing that marks her out as one of the UK’s most exciting practitioners in photography today – she is an illusionist” Review by Barry W Hughes for SMBH 

Read More

“The space felt more like a factory of thought, with the spectator experiencing the inner cogs of a photographer’s imagination. The jarring and challenging relationship Strand has with the medium being laid bare for us to see” Review by Harry Rose, Darwin Magazine.

Read More


Material, 2015
Monochrome Film incased in an aluminium box with peephole

Material (Still), looking through the Peephole.

Read More
Retouch  are hand printed, fibre-based monochrome photographic prints made using an extreme retouching technique - a hammer and metal punches. 

Retouch  are hand printed, fibre-based monochrome photographic prints made using an extreme retouching technique - a hammer and metal punches. 

Read More
Previous Posts  |  More Posts