Gettiing Better and Worse at the Same Time.
"The most magical object in the show is a small wall-mounted box with a tiny eyehole, through which the viewer can see It is, in fact, dust motes in a beam of sunlight. Shot in Strands bedroom, it is another glimpse of things fragmenting. It is the almost-still centre of a fascinating show from a singular artist whose journey into – and away from photography continues apace in its own quietly subversive way".
Sean Ohagan. Guardian 2015.