Clare Strand

7 Basic Propositions and Conjuration Films are showing in Unspoken Dialogues as part of the PostScreen Festival, Lisbon .

with Parrotta Contemporary 

Photo Eye review Adam Bell;  I-D online; article by Jean Paul Savard Perret; Hettie Judah for New York Times; Charming, Financial Times ; Personal Archives,by Simon Bainbridge BJP;  Le Monde and Dorothy Hunter for VAI Signed copies available at Claire De Rouen Books and MACK.

Ran until the 12th November at LHGWR Gallery - thank you to all who played. All That Hoopla will be returning to a venue near you soon.

click through HERE for all Autumn activity.

All That Hoopla an Installation by  Clare Strand with LhGWR Gallery at Unseen Art Fair. 21st - 25th Sept.   September 2016

Launches at Clare De Rouen Books on the 26th October 6.30 - 8.30 with an introduction by myself and Natalie Rigg Editor of Another Magazine. Signed copies available. Book signing on the MACK Booth, Grand Palais 4pm Saturday 12th November.

Photography jury. Hyeres 21st-15th April 2016.‪With Chris Littlewood,Lesley Martin,Clare Strand,Jean Paul Goude ,Gareth Pugh,Pierre Louis Denis,Chantal Webber,Jean-Michel Bertin,Susan Bright andHeval Okcuoglu

As of March 2016, the 10 works entitled Skirts are housed in the MoMA NewYork collection .

To book click through here  Clare Strand is a photographic artist who has exhibited worldwide. Her work shifts between the mysterious and the absurd whilst inviting the serendipitous and the illogical. Strand joins us for the March edition of Photoforum for an in-conversation talk with independent curator, educator and writer Camilla Brown.

The Chance Operations Workshop devised by Clare Strand in collaboration with PhotoEspana Masterclass Students 9th- 12th Feb 2016. Foto: Jonás Forchini. Alumos Máster PHE 2015-2016: Emilio Correia, Gema Polanco, Cecilia Lutufyan, Daniel Martín Maestro, Oliva María Rubio (Directora del Máster), Bilal Touzani, Silvia Griglio, Juan Cano. Xia Zhengfei y Jonás Forchini.

Material, The Entropy Pendulum and Control In Motion.

 Many of your works are inspired by the forms and codes of vernacular photography, as used in the fields of police, science, magic or esotericism. What fascinates you about vernacular photography?

From series Signs of A Struggle A black and white photograph of a parked car at night. One of the front doors is open, the front seat is covered with foil and there are large dark stains on the ground in front of the car. The print is mounted onto a slightly yellowed cardboard.

previews at Centre Pomipdou as part of A History of Art, Architecture, Design from the 1980’s until Today. Curated by Christiane Macel. Pictured here with Clement Cheroux senior curator of photography, Centre Pompidou.

“A black and white photograph of a humble dining room, the window curtains are closed, one of the chairs at the dining table lies on the floor. The print is mounted onto a slightly yellowed cardboard.”

“There is always something odd – in a good way – about Strand’s work. That oddity rests in the tension between her often personal, always playful take on conceptualism and her wilfully old-fashioned methods – the archive images, black-and-white tones and kinetic machines here are a case in point.”